About

I am a fine art photographer working primarily in black and white, exploring the relationship between architecture, light, and time.

Through photography, I seek to slow down the act of seeing, allowing details, surfaces, and tonal transitions to become central. Black and white is an essential part of this process, helping to reduce visual noise and bring focus to form, rhythm, and atmosphere.

However, when shooting landscapes, I often find that colours help to express the scene's atmosphere.

Here is a photo of my grandson and me having one of our deep conversations some years ago. Photography is fundamentally about communication in various forms, and this picture serves as a great example of effective communication. While we primarily communicate with living beings, there is also a unique resonance that occurs when we photograph landscapes or buildings. To successfully capture an image, we first need to understand and interpret the object before reproducing it.

After retiring from the oil and gas industry, I dedicated most of my time to photography. One of the most important lessons I carried over from my previous career is that quality—down to the smallest details—is essential for achieving excellent results.

It was vital for me to learn the craft both practically and theoretically. This included acquiring the right tools and understanding how to use them effectively in various situations.

I use a Fujifilm GFX 100S medium format camera with a variety of lenses. For architectural photography, I often utilise a 15mm or 24mm tilt-shift lens to achieve the desired perspectives. When necessary, I also incorporate portable lighting equipment, including both continuous light and flash.

A young boy and an older man wearing sunglasses, smiling at each other. The boy is in a red shirt, and the man is in a white and black striped shirt. Background features a blurred outdoor setting.